Hawthorne and Romanticism
I. Hawthorne the writer:
- One of the world’s greatest writers
- Symbolism – most significant technique
- Used symbols more than others writers of the time period.
- Used symbols purposefully.
- His writings examine ethical problems – not necessarily religious ones.
- His writings were strongly influenced by Puritan thought.
- Writing is not systematic
- Philosophical writer
- Hawthorne obsessed with the nature of
- good and evil
- goodness and sin
- right and wrong
- Hawthorne asked these basic questions of life:
- What the true sources of sin?
- Is sin inborn?
- Is a person who never had a chance to sin innocent?
- Can a sinner truly repent?
- What is the real fortress of evil? (the human heart)
- Hawthorne is a pessimist
- He ridiculed the Transcendentalist philosophers.
- He had no faith in nature’s goodness.
- He sees the heart of man wicked.
- He believed no mistake is ever set right.
- He believed there is no reward for good behavior.
- Hawthorne’s writing and inconclusive, ambiguous.
- The reader has to make his choices
- after seeing both sides
- by intuition, not logic
- Hawthorne’s techniques
- Symbolism – used frequently
- Characterization – characters are flat; often are used as symbols (allegory)
- Dialogue – weak; all characters talk the same
- Plot – secondary to importance of theme
- Theme – meaning most important; philosophical concepts
II. The Scarlet Letter
- Names of some characters are suggestive
- Chillingworth – suggests a cold-hearted man
- Dimmesdale – literally a “dim valley”
- Pearl – grew from an imperfection; mother paid a great price for her
- Arthur Dimmesdale
- not strong; highly mystical
- paradoxical life; his sin made him a better minister, but not a better man
- Differences between Hester Prynne and Arthur Dimmesdale
- Hester commits and admits her sin; her life is healthy.
- Dimmesdale commits sin but doesn’t tell; this kills him.
- Dimmesdale’s character helps examine
- the effects of sin
- the nature of good and evil
- Chillingworth’s character
- Originally a kind and gentle man; older than Hester.
- His personal revenge makes him selfish and cruel; referred to as the devil.
- The book is called a romance, yet there are no passionate love scenes.
- due to the time period; society censored
- Hawthorne wants reader to focus on the effects of sin, not sin itself
- Evidence of Hester’s strength
- survived in a tough colonial community (physically and emotionally)
- fought for custody of Pearl
- carried Dimmesdale up the scaffold in final scene
- refused to implicate Dimmesdale
- would not remove the Scarlet A
- Pearl’s personality
- beautiful result of a sin
- different from other children
- intuitive, teasing, and free
- The scaffold scene
- story begins with Hester on the scaffold
- Chapter 11, Hester, Pearl, and Dimmesdale on scaffold (seven years later – night)
- Final scene with all three present on scaffold (day)
- Symbols
- Scaffold – sin; punishment
- forest – moral wilderness; savagery, unpleasantness, danger
- City – society
- Rosebush – sweet moral blossom
- Sunshine – happiness
- Brook – Pearl’s life
III. Elements of Romanticism
- love of nature as a revelation of truth
- sympathetic interest in past
- interest in the psychology of emotions
- criticism of the norm
- mysticism and supernatural
- individual as the center of literature